''Minority Report'' is a 2002 American science fiction action film
directed by Steven Spielberg
, starring Tom Cruise
, and loosely based on the 1956 short story "The Minority Report
" by Philip K. Dick
. The picture is set primarily in Washington, D.C.
, and Northern Virginia in the year 2054, where PreCrime
, a specialized police department, apprehends criminals based on foreknowledge
provided by psychics called "precogs
". The cast includes Cruise as Chief of PreCrime John Anderton, Colin Farrell
as Department of Justice
agent Danny Witwer, Samantha Morton
as the senior precog Agatha, and Max von Sydow
as Anderton's superior Lamar Burgess.
The film combines elements of tech noir
and science fiction
genres, as well as a traditional chase film, as the main protagonist is accused of a crime he has not committed and becomes a fugitive.
[Buckland. pp. 193–5.]
Spielberg has characterized the story as "fifty percent character and fifty percent very complicated storytelling with layers and layers of murder mystery and plot".
The film's central theme is the question of free will
. It examines whether free will can exist if the future is set and known in advance. Other themes include the role of preventive government in protecting its citizenry, the role of media in a future state where technological advancements make its presence nearly boundless, the potential legality of an infallible prosecutor, and Spielberg's repeated theme of broken families.
The film was first optioned
in 1992, as a sequel to another Dick adaptation, ''Total Recall
'', and started its development in 1997, after a script by Jon Cohen reached Spielberg and Cruise. Production suffered many delays due to Cruise's ''Mission: Impossible 2
'' and Spielberg's ''A.I.
'' running over schedule, eventually starting in March 2001. During pre-production, Spielberg consulted numerous scientists in an attempt to present a more plausible future world than that seen in other science fiction films, and some of the technology designs in the film have proven prescient.
''Minority Report'' was one of the best-reviewed films of 2002 and was nominated for several awards. It received an Academy Award
nomination for Best Sound Editing
, and eleven Saturn Award
nominations, including Best Actor
, Best Supporting Actor
, and Saturn Award for Best Music
, winning Best Science Fiction Film
, Best Direction
, Best Writing
, and Best Supporting Actress
. The film earned over $358 million worldwide against an overall budget of $142 million (including advertising). Over four million DVDs were sold in its first few months of home release.
In April 2054 Washington, DC
's prototype "PreCrime" police department prevents murders, via three clairvoyant humans ("Precogs") attached to a computer, who have an innate ability to "previsualize" crimes of extreme emotion and violence, before the offending suspect even begins the fatal deed. Would-be murderers are then imprisoned in a benevolent virtual reality state. Almost all premeditated, 1st degree murder has ceased, as people have "got the message", however spontaneous "crimes of passion
" are still problematic, as the police have limited time to intercept the killer. The federal government is on the verge of adopting this controversial program nationwide.
Since the disappearance of his son Sean, PreCrime Captain John Anderton (Tom Cruise
) has separated from his wife Lara (Kathryn Morris
) and become a drug addict. While United States Department of Justice
agent Danny Witwer (Colin Farrell
) is auditing the program, the Precogs generate a new prediction, stating Anderton will murder a man he does not know named Leo Crow in 36 hours. Anderton flees the area as Witwer begins a manhunt. Anderton seeks the advice of Dr. Iris Hineman (Lois Smith
), the creator of PreCrime technology. She reveals that sometimes one of the Precogs, usually Agatha (Samantha Morton
), has a different vision than the other two; a "minority report" of a possible alternate future. This has been kept a secret as it would damage the system's credibility. Anderton resolves to recover the minority report to prove his innocence.
Anderton goes to a black market doctor (Peter Stormare
) for a risky eye transplant to avoid the citywide optical recognition system
. He returns to PreCrime and kidnaps Agatha, shutting down the system, as the Precogs operate as a group mind
. Anderton takes Agatha to a hacker
to extract the minority report of Leo Crow (Mike Binder
), but none exists; instead, Agatha shows him an image of the murder of Ann Lively (Jessica Harper
), a woman who was drowned by a hooded figure five years prior.
Anderton and Agatha go to Crow's hotel room as the 36-hour time nears, finding numerous photos of children, including one of Sean. Crow arrives and Anderton prepares to kill him, accusing him of being a serial child killer. Agatha talks Anderton out of shooting Crow—barely—by telling him that he has the ability to choose his future now that he is aware of it. Crow, however, begs to be killed, having been hired by an unknown entity to plant the photos and be killed in exchange for his family's financial well-being. Crow grabs Anderton's gun and pulls the trigger, killing himself as Agatha watches in horror. Anderton and Agatha flee to Lara's house outside the city for refuge. There they learn Lively was Agatha's drug-addicted mother who sold her to PreCrime. Lively had sobered up
and attempted to reclaim Agatha, but was murdered. Anderton realizes he is being targeted for knowing about Lively's existence and her connection to Agatha.
Witwer, studying Crow's death, suspects Anderton is being framed. He examines the footage of Lively's murder and finds there were two attempts on her life, the first having been stopped by PreCrime but the second, occurring minutes later, having succeeded. Witwer reports this to the director and founder of PreCrime, Lamar Burgess (Max von Sydow
), but Burgess responds by killing Witwer using Anderton's gun. With the Precogs still offline, the murder is undetected.
Lara had earlier called Burgess, revealing that Anderton is with her. Anderton is captured, accused of both murders, and imprisoned after being fitted with the brain device that puts him into a dreamlike sleep. Agatha is reconnected to the PreCrime system. While attempting to comfort Lara, Burgess accidentally reveals himself as Lively's murderer. Lara frees Anderton, who then exposes Burgess at a PreCrime celebratory banquet by playing the full video of Agatha's vision of Burgess killing Lively. A new report is generated at PreCrime, indicating that Burgess will kill Anderton. In a confrontation with Anderton, Burgess admits that PreCrime could not function without Agatha; he killed Lively following an actual attempt on her life that he had arranged, knowing that the murder would appear as an echo within PreCrime and be ignored. Anderton points out the dilemma Burgess now faces: he can kill Anderton and validate PreCrime at the cost of his own life, or he can spare Anderton and allow the program to be discredited and shut down. The flaw in the system, Anderton notes, is that people can change their future once they become aware of it. Burgess commits suicide.
Afterwards, the PreCrime system is shut down. All the prisoners are pardoned and released, although many remain under police surveillance for years. Anderton and Lara reconcile and prepare for the birth of a new child, and the Precogs are sent away to an undisclosed location to live their lives in peace.
* Tom Cruise
as Chief John Anderton
* Max von Sydow
as Director Lamar Burgess
* Colin Farrell
as Danny Witwer
* Samantha Morton
as Agatha Lively
* Neal McDonough
as Gordon "Fletch" Fletcher
* Steve Harris
as Jad Watson
* Patrick Kilpatrick
as Geoffrey Knott
* Jessica Capshaw
and Matthew Dickman
as Arthur and Dashiell "Dash" Arkadin, the precog twins
* Lois Smith
as Dr. Iris Hineman
* Kathryn Morris
as Lara Anderton
* Peter Stormare
as Dr. Solomon P. Eddie
* Jason Antoon
as Rufus T. Riley
* Mike Binder
as Leo Crow
* Jessica Harper
as Anne Lively
* Tim Blake Nelson
* Daniel London
as Norbert "Wally" Wallace
* Anna Maria Horsford
* Nancy Linehan Charles
as Celeste Burgess
* Joel Gretsch
as Donald Dubin
* Tom Choi
as Nick Paymen
* Tyler Patrick Jones
as Sean Anderton
* Victor Raider-Wexler
as Attorney General Arthur Nash
* Caroline Lagerfelt
as Greta van Eyck
* Arye Gross
as Howard Marks
* Ashley Crow
as Sarah Marks
* David Stifel as Lycon
* William Mapother
as Hotel Clerk
, Cameron Crowe
, and Paul Thomas Anderson
make uncredited cameo appearances as subway passengers.
Dick's story was first optioned
by producer and writer Gary Goldman
He created the initial script for the film with Ron Shusett and Robert Goethals (uncredited).
It was supposed to be a sequel to the 1990 Dick adaptation ''Total Recall
'', which starred Arnold Schwarzenegger
[Buckland. pp. 210–1]
Novelist Jon Cohen
was hired in 1997 to adapt the story for a potential film version that would have been directed by Dutch
filmmaker Jan de Bont
[Buckland. p. 197]
Meanwhile, Cruise and Spielberg, who met and became friends on the set of Cruise's film ''Risky Business
'' in 1983,
had been looking to collaborate for ten years.
Spielberg was set to direct Cruise in ''Rain Man
'', but left to make ''Indiana Jones and the Last Crusade
Cruise read Cohen's script, and passed it onto Spielberg, who felt it needed some work. Spielberg was not directly involved in the writing of the script, though he was allowed to decide whether the picture's screenplay was ready to be filmed. When Cohen submitted an acceptable revision, he called Cruise and said, "Yeah, I'll do ''this'' version of the script."
[Arms, Gary, & Riley, Thomas. essay in Kowalski. p. 10]
In that version, Witwer creates a false disk which shows Anderton killing him. When Anderton sees the clip, his belief in the infallibility of the precogs' visions convinces him it is true, therefore the precogs have a vision of him killing Witwer. At the end, Anderton shoots Witwer and one of the brother precogs finishes him off, because Witwer had slain his twin.
[Buckland. p. 198]
Spielberg was attracted to the story because as both a mystery and a movie set 50 years in the future, it allowed him to do "a blending of genres" which intrigued him.
In 1998, the pair joined ''Minority Report'' and announced the production as a joint venture of Spielberg's DreamWorks
and Amblin Entertainment
, 20th Century Fox
, Cruise's Cruise/Wagner Productions, and De Bont's production company, Blue Tulip.
Spielberg however stated that despite being credited, De Bont never became involved with the film. Cruise and Spielberg, at the latter's insistence,
reportedly agreed to each take 15% of the gross instead of any money up front to try to keep the film's budget under $100 million.
Spielberg said he had done the same with name actors in the past to great success: "Tom Hanks
took no cash for ''Saving Private Ryan
'' but he made a lot of money on his profit participation."
He made this agreement a prerequisite:
Production was delayed for several years. The original plan was to begin filming after Cruise's ''Mission: Impossible 2
'' was finished, but that film ran over schedule, which also allowed Spielberg time to bring in screenwriter Scott Frank
to rework Cohen's screenplay.
did an uncredited draft to polish the script, and Frank Darabont
was also invited to rewrite, but was by then busy with ''The Majestic
''. The film closely follows Scott Frank's final script (completed May 16, 2001), and contains much of Cohen's third draft (May 24, 1997).
Frank removed the character of Senator Malcolm from Cohen's screenplay, and inserted Burgess, who became the "bad guy". He also rewrote Witwer from a villain to a "good guy", as he was in the short story.
In contrast to Spielberg's next science fiction picture, ''War of the Worlds
'', which he called "100 percent character" driven, Spielberg said the story for ''Minority Report'' became "50 percent character and 50 percent very complicated storytelling with layers and layers of murder mystery and plot."
[Arms, Gary, & Riley, Thomas. essay in Kowalski. p. 13]
According to film scholar Warren Buckland, Cohen and Frank apparently did not see the Goldman and Schusett screenplay, but instead worked on their own adaptation.
Goldman and Schusett, however, claimed the pair used a lot of material from their script, so the issue went through the Writer's Guild
arbitration process. They won a partial victory; they were not given writing credits, but were listed as executive producers.
The film was delayed again so Spielberg could finish ''A.I.
'' after the death of his friend Stanley Kubrick
. When Spielberg originally signed on to direct, he planned to have an entirely different supporting cast. He offered the role of Witwer to Matt Damon
, Iris Hineman to Meryl Streep
, Burgess to Ian McKellen
, Agatha to Cate Blanchett
, and Lara to Jenna Elfman
Streep declined the role,
Damon opted out,
and the other roles were recast due to the delays. Spielberg also offered the role of Witwer to Javier Bardem
, who turned it down.
'', Spielberg started to consult experts, and put more scientific research into his science fiction films.
In 1999, he invited fifteen experts convened by Peter Schwartz
and Stewart Brand
to a hotel in Santa Monica for a three-day "think tank". He wanted to consult with the group to create a plausible "future reality" for the year 2054 as opposed to a more traditional "science fiction" setting.
Dubbed the "think tank summit",
the experts included architect Peter Calthorpe
, author Douglas Coupland
, urbanist and journalist Joel Garreau
, computer scientist Neil Gershenfeld
, biomedical researcher Shaun Jones, computer scientist Jaron Lanier
, and former Massachusetts Institute of Technology
(MIT) architecture dean William J. Mitchell
Production designer Alex McDowell
kept what was nicknamed the "2054 bible", an 80-page guide created in preproduction which listed all the aspects of the future world: architectural, socio-economic, political, and technological.
While the discussions did not change key elements in the film, they were influential in the creation of some of the more utopian aspects, though John Underkoffler, the science and technology advisor for the film, described it as "much grayer and more ambiguous" than what was envisioned in 1999. Underkoffler, who designed most of Anderton's interface after Spielberg told him to make it "like conducting an orchestra", said "it would be hard to identify anything n the movie
that had no grounding in reality."
McDowell teamed up with architect Greg Lynn
to work on some of the technical aspects of the production design. Lynn praised his work, saying that a "lot of those things Alex cooked up for ''Minority Report'', like the 3-D screens, have become real."
Spielberg described his ideas for the film's technology to Roger Ebert
before the movie's release:
''Minority Report'' was the first film to have an entirely digital production design.
Termed "previz", as an abbreviation of previsualization (a term borrowed from the film's narrative), production designer Alex McDowell said the system allowed them to use Photoshop in place of painters, and employ 3D animation programs (Maya
) to create a simulated set, which could be filled with digital actors then used to block out shots in advance. The technology also allowed the tie-in video game and special effects companies to cull data from the previous system before the film was finished, which they used to establish parameters for their visuals. When Spielberg quickly became a fan, McDowell said "It became pretty clear that e
wouldn't read an illustration as a finished piece, but if you did it in Photoshop and created a photorealistic environment he focused differently on it."
Filming took place from March 22 to July 18, 2001,
in Washington, D.C., Virginia
, and Los Angeles
Film locations included the Ronald Reagan Building
(as PreCrime headquarters) and Georgetown
The skyline of Rosslyn, Virginia
is visible when Anderton flies across the Potomac River
. A quick shot of Indian Field Creek, which crosses the Colonial Parkway
in Yorktown, Virginia
, is seen as John takes Agatha to his wife's house. During production, Spielberg made regular appearances on a video-only webcam based in the craft services truck, both alone and with Tom Cruise; together they conferred publicly with Ron Howard and Russell Crowe via a similar webcam on the set of "A Beautiful Mind" in New York.
The location of the small, uncharted island in the last shot of the film is Butter Island off North Haven, Maine
in the Penobscot Bay
Although it takes place in an imagined future world of advanced technology, ''Minority Report'' attempts to embody a more "realistic" depiction of the future. Spielberg decided that to be more credible, the setting had to keep both elements of the present and ones which specialists expected would be forthcoming. Thus Washington, D.C. as depicted in the movie keeps well-known buildings such as the Capitol
and the Washington Monument
, as well as a section of modern buildings on the other side of the Potomac River. Production designer Alex McDowell was hired based on his work in ''Fight Club
'' and his storyboards for a film version of ''Fahrenheit 451
'' which would have starred Mel Gibson
. McDowell studied modern architecture, and his sets contain many curves, circular shapes, and reflective materials. Costume designer Deborah L. Scott decided to make the clothes worn by the characters as simple as possible, so as not to make the depiction of the future seem dated.
["Deconstructing Minority Report", ''Minority Report'' Special Edition DVD, Disc 2]
The stunt crew was the same one used in Cruise's ''Mission: Impossible 2'', and was responsible for complex action scenes. These included the auto factory chase scene, filmed in a real facility using props such as a welding robot, and the fight between Anderton and the jetpack-clad officers, filmed in an alley set built on the Warner Bros.
studio lot. Industrial Light & Magic
did most of the special effects, while PDI/DreamWorks
was responsible for the Spyder robots. The company Pixel Liberation Front did previsualization animatics
. The holographic projections
and the prison facility were filmed by several roving cameras which surrounded the actors, and the scene where Anderton gets off his car and runs along the Maglev
vehicles was filmed on stationary props, which were later replaced by computer-generated vehicles.
Like most film adaptations of Dick's works,
many aspects of his story were changed in their transition to film, such as the addition of Lamar Burgess and the change in setting from New York City
to Washington, D.C., Baltimore
, and Northern Virginia
. The character of John Anderton was changed from a balding and out-of-shape old man to an athletic officer in his 40s to fit its portrayer and the film's action scenes.
The film adds two stories of tragic families; Anderton's, and that of the three pre-cogs. In the short story, Anderton is married with no children, while in the film, he is the divorced father of a kidnapped son, who is most likely deceased. Although it is implied, but unclear in the film whether Agatha is related to the twin pre-cogs, her family was shattered when Burgess murdered her mother, Anne Lively. The precogs were intellectually disabled
and deformed individuals in the story, but in the film, they are the genetically mutated offspring of drug addicts.
[Mulhall. p. 163]
Anderton's future murder and the reasons for the conspiracy were changed from a general who wants to discredit PreCrime to regain some military funding, to a man who murdered a precog's mother to preserve PreCrime. The subsequent murders and plot developed from this change. The film's ending also differs from the short story's. In Dick's story, Anderton prevents the closure of the PreCrime division, however, in the movie Anderton successfully brings about the end of the organization. Other aspects were updated to include current technology. For instance in the story, Anderton uses a punch card machine to interpret the precogs' visions; in the movie, he uses a virtual reality interface.
The main theme of ''Minority Report'' is the classic philosophical debate of free will
Other themes explored by the film include involuntary commitment
, the nature of political and legal systems in a high technology-advanced society, the rights of privacy in a media-dominated world,
and the nature of self-perception.
The film also continues to follow Spielberg's tradition of depicting broken families,
which he has said is motivated by his parents' divorce when he was a child.
The score was composed and conducted by John Williams
and orchestrated by John Neufeld, with vocals by Deborah Dietrich. Williams normally enters Spielberg productions at an early stage, well before the movie starts shooting. For ''Minority Report'' however, his entry was delayed due to his work on ''Star Wars: Episode II – Attack of the Clones
'', and he joined the film when it was nearly completed, leaving him scant production time. The soundtrack takes inspiration from Bernard Herrmann
Williams decided not to focus on the science fiction elements, and made a score suitable for film noir. He included traditional noir elements such as a female singer in the Anne Lively scenes, but the "sentimental scenes", which Williams considered unusual for that genre, led to soothing themes for Anderton's ex-wife Lara and son Sean.
The track "Sean's Theme" is described as the only one "instantly recognizable as one of Williams'" by music critic Andrew Granade.
Spielberg typified it as "a black and white score" and said, "I think Johnny Williams does a really nice bit of homage to Benny Herrmann."
In an interview which appeared in ''The New York Times
'', Williams said that the choices for many of the pieces of classical music were made by the studio. He also said that while he did not know why certain pieces were chosen, Franz Schubert
's Symphony No. 8
(commonly known as the ''Unfinished Symphony''), which features prominently in the film,
was most likely included because Anderton was a big fan of classical music in the script.
Some of the other choices, such as Gideon's playing of "Jesu, Joy of Man's Desiring
" by Bach
on an organ in the subterranean prison, were also in the screenplay, and he figured that "They are some writer's conception of what this character might have listened to."
Williams did choose the minuet
from a Haydn
string quartet (Op. 64
, No. 1) which plays on the radio in the scene where Dr. Hineman is gardening in her greenhouse. He said he picked the piece because "It seemed to me to be the kind of thing a woman like this would play on the radio."
James R. Oestreich
in ''The New York Times'' characterized the score as "evocative" and said it was "thoroughly modern" while also being "interlaced with striking snippets of masterworks", including the "lopsided waltz" from the second movement
's Symphony No. 6
, known as the ''Pathétique''.
In 2019, a 2-disc limited "expanded edition" was released through La-La-Land Records featuring the full score as heard in the film, along with several alternate and unused tracks as bonus material.
The most commonly criticized element of the film is its ending. The film has a more traditional "happy ending" which contradicts the tone of the rest of the picture.
This has led to speculation that this ending is the product of John's imagination, caused by hallucinations from his forced coma after he is incarcerated. As one observer mused, "The conclusion of ''Minority Report'' strikes me as a joke Spielberg played on his detractors—an act of perfectly measured deviltry."
One critic theorized, "Rather than end this ''Brazil
''-ian sci-fi dystopia with the equivalent of that film's shot of its lobotomized hero, which puts the lie to the immediately previous scene of his imagined liberation, Spielberg tries to pass off exactly the same ending but without the rimshot, just to see if the audience is paying attention."
Film scholars Nigel Morris and Jason P. Vest point to a line in the film as possible evidence of this. After Anderton is captured, Gideon tells him that, "It's actually kind of a rush. They say you have visions. That your life flashes before your eyes. That all your dreams come true." While Vest considers the blissful dream ending a possibility, he questions why Anderton did not imagine his son as having returned.
Buckland expressed disappointment in the ending, but blamed Frank. He felt that given the water theme, and closely tied together tragic parent-child theme, Anderton should have ended the film by taking Agatha in his care if Spielberg wanted a happy ending. Especially since "Anderton kidnaps Agatha from the precog pool just as his son was kidnapped from a swimming pool" and because Anderton could act as a "substitute parent for Agatha, and Agatha ... a substitute child for Anderton."
[Buckland. p. 207]
This opportunity is missed however, when the precogs are sent to the remote island, and Anderton reunites with his wife; an ending which Buckland finds more "forced" than the "more authentic" path he feels he noticed.
''Minority Reports unique visual style: It was overlit, and the negatives were bleach-bypassed
in post-production to desaturate the colors in the film.|alt=Two men, one of whom is wearing futuristic armor and helmet. A distinctive blue tint colours the image.
''Minority Report'' is a futuristic film which portrays elements of a both dystopia
n and utopia
n future. The movie renders a much more detailed view of its future world than the book, and contains new technologies not in Dick's story. From a stylistic standpoint, ''Minority Report'' resembles Spielberg's previous film ''A.I.'',
but also incorporates elements of film noir. Spielberg said that he "wanted to give the movie a noir feel. So I threw myself a film festival. ''Asphalt Jungle
''. ''Key Largo
''. ''The Maltese Falcon
The picture was deliberately overlit, and the negative was bleach-bypassed
The scene in which Anderton is dreaming about his son's kidnapping at the pool is the only one shot in "normal" color. Bleach-bypassing gave the film a distinctive look; it desaturated the film's colors, to the point that it nearly resembles a black-and-white movie, yet the blacks and shadows have a high contrast like a film noir picture.
The color was reduced by "about 40%" to achieve the "washed-out" appearance.
[Buckland. p. 201] Elvis Mitchell
, formerly of ''The New York Times
'', commented that "The picture looks as if it were shot on chrome, caught on the fleeing bumper of a late '70s car."
Cinematographer Janusz Kamiński
shot the movie with high-speed film in Super 35 format to increase the overall grain,
which Spielberg preferred to the then-emerging digital video format. The movie's camera work is very mobile, alternating between handheld and Steadicam shots, which are "exaggerated by the use of wide angle lenses and the occasional low camera angle" to increase the perception of movement according to film scholar Warren Buckland.
Kamiński said that he never used a lens longer than 27mm, and alternated between 17, 21, and 27mm lenses, as Spielberg liked to "keep the actors as close to the camera as possible". He also said, "We staged a lot of scenes in wide shots that have a lot of things happening with the frame."
The duo also used several long takes to focus on the emotions of the actors, rather than employing numerous cuts. Spielberg eschewed the typical "shot reverse shot
" cinematography technique used when filming characters' interactions in favor of the long takes, which were shot by a mobile, probing camera.
[Buckland. p. 202]
McDowell relied on colorless chrome and glass objects of curved and circular shapes in his set designs, which, aided by the "low-key contrastive lighting", populated the film with shadows, creating a "futuristic film noir atmosphere".
Buckland describes the film's 14 minute opening sequence as the "most abstract and complex of any Spielberg film."
The first scene is a distorted precog vision of a murder, presented out of context. The pace of the film is sped up, slowed, and even reversed, and the movie "jumps about in time and space" by intercutting the images in no discernible order.
When it ends, it becomes clear that the scene was presented through Agatha's eyes, and that this is how previsions appear to her.
[Buckland. pp. 198–9]
Fellow scholar Nigel Morris called this scene a "trailer", because it foreshadows the plot and establishes the type of "tone, generic expectations, and enigmas" that will be used in the film. The visions of the pre-cogs are presented in a fragmented series of clips using a "squishy lens" device, which distorts the images, blurring their edges and creating ripples across them. They were created by a two-man production team, hired by Spielberg, who chose the "layered, dreamlike imagery" based on some comments from cognitive psychologists
the pair consulted.
[Kowalski. p. 243]
In the opening's next scene, Anderton is "scrubbing the images", by standing like a composer (as Spielberg terms it), and manipulating them, while Jad assists him. Next the family involved in the murder in Agatha's vision is shown interacting, which establishes that the opening scene was a prevision. The picture then cuts back to Anderton and the precogs' images, before alternating between the three. The opening is self-contained, and according to Buckland acts merely as a setup for numerous elements of the story. It lasts 14 minutes, includes 171 shots, and has an average shot length of five seconds as opposed to the 6.5 second average for the entire film. The opening's five-second average is attained despite "very fast cutting" in the beginning and ending, because the middle has longer takes, which reach 20 seconds in some instances. Spielberg also continues his tradition of "heavily diffused backlighting" for much of the interior shots.
Spielberg typically keeps the plot points of his films closely guarded before their release, and ''Minority Report'' was no different. He said he had to remove some scenes, and a few "F-words" to get the film's PG-13 rating.
Following the disappointing box office results of Spielberg's ''A.I.'', the marketing campaign for ''Minority Report'' downplayed his role in the movie and sold the film as a Cruise action thriller.
, chairman of the film's co-financier Fox Filmed Entertainment
, described the film's marketing strategy thus: "How are we marketing it? It's Cruise and Spielberg. What else do we need to do?"
The strategy made sense; coming into the film, Spielberg had made 20 films which grossed a domestic total of $2.8 billion, while Cruise's resume featured 23 films and $2 billion in domestic revenues.
With their combined 30% take of the film's box office though, sources such as ''BusinessWeek''
's Ron Grover predicted the studios would have a hard time making the money needed to break even.
Despite the outward optimism, as a more adult-oriented, darker film than typical blockbusters, the studio held different box office expectations for the movie than they would a more family friendly film. ''Entertainment Weekly'' projected the film would gross $40 million domestic in its opening weekend, and ''Variety
'' predicted that the high concept storyline would not appeal to children and would render it a "commercial extra-base hit rather than a home run."
''Minority Report's'' world premiere took place in New York City on June 19, 2002. An online "popcorn cam" broadcast live from inside the premiere. Cruise attended the London premiere the following week, and mingled with thousands of adoring fans as he walked through the city's Leicester Square. It debuted at first place in the U.S. box office
, collecting $35.677 million in its opening weekend, ahead of ''Lilo & Stitch
'' considered those numbers below expectations, as they gave the film a small edge over ''Lilo & Stitch'', which debuted in second place ($35.260 million). ''Lilo & Stitch'' sold more tickets, but since much of the film's attendees were children, its average ticket price was much lower. The movie opened at the top of the box office in numerous foreign markets; it made $6.7 million in 780 locations in Germany its opening weekend, and accounted for 35% of France's total box office weekend office gross when it collected $5 million in 700 theaters. In Great Britain, ''Minority Report'' made $36.9 million in its first three days, in Italy, $6.2 million in its first ten, in Belgium, $815,000 in its 75 location opening weekend, and in Switzerland, $405,000 in an 80 theater opening weekend. The BBC
felt the film's UK performance was "buoyed by Cruise's charm offensive
at last week's London premiere." ''Minority Report'' made a total of $132 million in the United States and $226.3 million overseas.
DreamWorks spent several million dollars marketing the film's DVD and VHS releases. The campaign included a tie-in video game
released by Activision
, which contained a trailer for the movie's DVD.
''Minority Report'' was successful in the home video market, selling at least four million DVDs in its first few months of release.
The DVD took two years to produce. For the first time, Spielberg allowed filmmakers to shoot footage on the set of one of his films. ''Premiere
''-award-winning DVD producer Laurent Bouzereau, who would become a frequent Spielberg DVD collaborator, shot hundreds of hours of the film's production in the then-new high-definition video
format. It contained over an hour of featurettes which discussed various aspects of film production, included breakdowns of the film's stunt sequences, and new interviews with Spielberg, Cruise, and other "Academy Award-winning filmmakers".
The film was released on a two-disc Blu-ray by Paramount Pictures
(now the owner of the early DreamWorks library) on May 16, 2010. It included exclusive extras and interactive features, such as a new Spielberg interview, that were not included in the DVD edition. The film was transferred from its "HD master" which retained the movie's distinctive grainy appearance.
A video game
based on the film titled ''Minority Report: Everybody Runs
'' was developed by Treyarch
, published by Activision
and released on November 18, 2002, for Game Boy Advance
, Nintendo GameCube
, PlayStation 2
. It received mixed reviews.
On the review aggregator Rotten Tomatoes
, ''Minority Report'' received 90% positive reviews based on 254 critics and an average rating of 8.20/10. The site's critical consensus is, "Thought-provoking and visceral, Steven Spielberg successfully combines high concept ideas and high octane action in this fast and febrile sci-fi thriller."
The website listed it among the best reviewed films of 2002.
The film also earned an 80 out of a possible 100 on the similar review aggregating website Metacritic
based on 37 reviews, indicating "generally favorable reviews".
Most critics gave the film's handling of its central theme (free will vs. determinism) positive reviews,
and many ranked it as the film's main strength.
Other reviewers felt that Spielberg did not adequately tackle the issues he raised.
The movie has inspired much discussion and analysis, the scope of which has been compared to the continuing analysis of ''Blade Runner
''. This discussion has advanced past the realm of standard film criticism. Slovenian philosopher Slavoj Žižek
fashioned a criticism of the Cheney Doctrine
by comparing its preemptive strike methodology to that of the film's PreCrime system.
'' said it's "Spielberg's sharpest, brawniest, most bustling entertainment since ''Raiders of the Lost Ark
''". Mike Clark of ''USA Today
'' felt it succeeded due to a "breathless 140-minute pace with a no-flab script packed with all kinds of surprises." Lisa Schwarzbaum of ''Entertainment Weekly
'' praised the film's visuals, and Todd McCarthy of ''Variety
'' complimented the cast's performances. Film scholar Warren Buckland recommended the film, but felt that the comedic elements—aside from Stormare's lines—detracted from the plot and undermined the film's credibility.
Several critics used their reviews to discuss Spielberg and analyze what the movie signified in his development as a filmmaker. Andrew O'Hehir of the online magazine ''Salon
'' expressed excitement over the atypically hard edge of the movie. "Little Steven Spielberg is all grown up now ... into of all things a superior film artist ... It's too early to know whether ''Minority Report'', on the heels of ''A.I.'', marks a brief detour in Spielberg's career or a permanent change of course, but either way it's a dark and dazzling spectacle."
of ''The Village Voice
'' said it is "the most entertaining, least pretentious genre movie Steven Spielberg has made in the decade since ''Jurassic Park
Randy Shulman of ''Metro Weekly
'' said that "the movie is a huge leap forward for the director, who moves once and for all into the world of adult movie making."
called the film a "masterpiece" and said that when most directors of the period were putting "their trust in technology", Spielberg had already mastered it, and was emphasizing "story and character" while merely using technology as a "workman uses his tools".
Ebert eventually named the film the best film of the year.
David Edelstein of ''Slate
'' echoed the positive sentiments, saying "It has been a long time since a Spielberg film felt so nimble, so unfettered, so free of self-cannibalizing."
, then of the ''Chicago Reader
'', was less convinced. Though he approved of the movie, he derided it in his review as a superficial action film, cautioning audiences to enjoy the movie, but not "be conned into thinking that some sort of serious, thoughtful statement is being delivered along with the roller-coaster ride."
of the ''New York Observer
'' gave the film a negative review in which he described the script as full of plot holes, the car chases as silly, and criticized the mixture of futuristic environments with "defiantly retro costuming". The complexity of the storyline was also a source of criticism for Kenneth Turan
of the ''Los Angeles Times
'', who considered the plot "too intricate and difficult to follow". Both Rosenbaum and Hoberman belittled the titular minority report as a "red herring
More positive reviews have seen it similarly, but referred to it as a "MacGuffin
Awards and honors
The film earned nominations for many awards, including Best Sound Editing
at the Academy Award
s, and Best Visual Effects at the BAFTAs
. It was nominated for eleven Saturn Award
s including Best Actor
for Cruise, Best Supporting Actor
for von Sydow and Best Music
for Williams, and won four: Best Science Fiction Film
, Best Direction
for Spielberg, Best Writing
for Frank and Cohen and Supporting Actress
for Morton. It was nominated for two Visual Effects Society
Awards in the categories of "Best Effects Art Direction in a Motion Picture" and "Best Compositing in a Motion Picture." It also won the BMI
Film Music Award, the Online Film Critics Society Award for Best Supporting Actress
, and the Empire Awards
for Best Actor
for Cruise, Best Director
for Spielberg and Best British Actress
for Morton. Ebert listed ''Minority Report'' as the best film of 2002,
as did online film reviewer James Berardinelli. The film was also included in top ten lists by critic Richard Roeper
and both reviewers at ''USA Today
In 2008, the American Film Institute
nominated this film for its Top 10 Science Fiction Films list
. Roger Ebert eventually called it one of his favorite movies of the 2000s. Likewise, ''The Washington Post'' picked ''Minority Report'' as one of the 23 best movies from 2000 to 2018.
On September 9, 2014, it was announced that a follow-up television series had been given a pilot commitment at Fox
wrote the script and served as executive producer alongside Spielberg, Justin Falvey and Darryl Frank. The series was envisioned to be set 10 years after the film, and focused on a male precog who teams up with a female detective to find a purpose to his gift.
On February 13, 2015, Daniel London
and Li Jun Li joined the cast. On February 24, 2015, Laura Regan
was cast as Agatha Lively, replacing Samantha Morton
, who was said to have been offered to reprise the role. In March 2015, Stark Sands
and Meagan Good
landed the lead roles with Sands playing the role of Dash, one of the male precogs, and Good playing Lara Vega, a detective haunted by her past, who works with Dash to help him find a purpose for his gift, Li Jun Li plays Akeela, a CSI technician, Daniel London reprised his role as Wally the Caretaker from the original film and Wilmer Valderrama
was cast as a police detective. The show was picked up to series by Fox on May 9, 2015, and made its broadcast debut on September 21, 2015, but was cancelled on May 13, 2016.
* List of films featuring surveillance
* List of films featuring slavery
* Inchoate offense
Category:2000s action thriller films
Category:2002 science fiction films
Category:2002 science fiction action films
Category:2000s chase films
Category:American action thriller films
Category:American science fiction action films
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Category:American dystopian films
Category:2000s dystopian films
Category:Films about security and surveillance
Category:Films based on science fiction short stories
Category:Films based on works by Philip K. Dick
Category:Films set in 2054
Category:Films set in Virginia
Category:Films set in Washington, D.C.
Category:Films shot in Los Angeles
Category:Films shot in Virginia
Category:Films shot in Washington, D.C.
Category:Memory in fiction
Category:American neo-noir films
Category:Films with screenplays by Scott Frank
Category:Alternate timeline films
Category:Films about advertising
Category:Films adapted into television shows
Category:Films about precognition
Category:20th Century Fox films
Category:DreamWorks Pictures films
Category:Amblin Entertainment films
Category:Films directed by Steven Spielberg
Category:Films produced by Bonnie Curtis
Category:Films produced by Gerald R. Molen
Category:Films scored by John Williams
Category:Films produced by Walter F. Parkes